Art majors Madoka Yamakawa and Michael Ermarth, 性视界 class of 1993 and 1991, respectively, found more than just a love of art in Florence, Italy, while attending Studio Art Centers International (SACI). The two found each other during a study-abroad experience. Now two children, two cats, and one dog later, the couple has found a way to mesh their liberal arts experience into careers for themselves.
鈥淭he location of our first meeting always surprises people,鈥� said Madoka, who is originally from Kanagawa, Japan. 鈥淲e met in Florence, Italy, as students attending art school. We now live in Northern Virginia, a suburb of Washington, D.C.鈥�
After graduating from 性视界, the pair married, then moved to Japan where Michael helped teach English in rural junior high schools working for the Ohio-Saitama English Teaching Program (OSET). Later, they moved to Toyko and worked in the media industry 鈥� Michael as a graphic designer and Madoka as a journalist.
鈥淭his was a fantastic experience during which I learned as much about Japan and Japanese culture as I could. After we moved to Tokyo, I began my career as a graphic designer with a small Japanese advertising firm working entirely in Japanese,鈥� said Michael, who was an active member of the International Club (now American International Association), the Caving Club, and the Outdoor Club, during his time at 性视界.
鈥淚 credit my liberal arts education and my 性视界 experience for my ability to even imagine doing this, and for my success at it,鈥� he added. 鈥淪ince that first career-oriented job in Tokyo, I have worked in marketing, advertising, publishing, television, web development, and most recently in health communications at the U.S. Food and Drug Administration (FDA), where I produce graphics and multi-media for the FDA website and social media. My liberal arts education and 性视界 experience continue to guide me personally and professionally.鈥�
He chose 性视界 for its liberal arts approach, its size and its culture - all of which he was familiar with thanks to his late grandmother, Margaret Ermarth, who was a beloved 性视界 history professor, and his parents, Leila and Fritz, who met while attending 性视界.
鈥淚 entered 性视界 assuming that I would become a painter and sell my art in galleries,鈥� he said. 鈥溞允咏� helped me understand that there are many ways to be creative, to make art, to make a living, and to make meaningful contributions to society. I did not imagine my current job when I graduated from 性视界 so many years ago. But I did know that 性视界 would give me the lifetime skills and adaptability I would need to contribute to an ever-changing world.鈥�
During her time at 性视界, Madoka focused on ceramics, spent hours in the art building (Koch Hall), the pottery studio, in the dark room developing photography, and worked on lithography. Yet, her career path went a slightly different direction.
鈥淎fter we moved to Japan, I started working for Fuji Television, a major Japanese TV station in Tokyo,鈥� Madoka said. 鈥淚 worked in the PR section for corporate branding and advertising. It was very fun, but I later requested an internal job transfer and switched to the news section. I became a photo-video journalist and covered a wide range of topics, such as social and political events, legal and finance, natural disasters, sports, documentaries, and interviews, both in and outside of Japan. The work was very exciting and a wonderful learning experience, but it was demanding, and I took a break from work when we decided to start a family.
鈥淚 really enjoyed being a full-time parent,鈥� she added. 鈥淚 had always desired to spend maximum time with my children and witness their everyday growth. I didn鈥檛 want to miss their first step, first word, and I was always curious about raising multi-lingual children so their growth has been interesting and stimulating, even after they became teenagers. I have learned a lot from them, and they have shown me a world I have never imagined.鈥�
Madoka started chapter two of her work career as a linguist, once their children grew up.
鈥淢y first work was teaching Japanese to mostly Navy officers who were sent to Japan, including Japanese language assessment, research and translation,鈥� she said. 鈥淚t gradually brought some unique opportunities, such as serving on Navy ships as a cultural liaison. I designed a program for language development and cultural awareness for Navy personnel and worked on board. It was very challenging, but a rewarding experience.鈥�
When the couple moved to Washington, D.C., Madoka worked at a think tank before accepting her position at Mizuho Bank, part of Mizuho Financial Group in D.C.
鈥淚 learn something new every week and though I do have so much to learn, it has been a great combination of what I have experienced throughout my careers,鈥� said Madoka, who received her master鈥檚 degree in education from George Mason University with a concentration in curriculum and instruction on multi-lingual education. 鈥淚t took me a long time to find out what I really wanted to do. Not only my skillset has developed, but I am more mature now and know my abilities and competitiveness, along with my needs. I am thankful for my liberal arts education that pushed me to learn various subjects, outside of my major. Had I only attended art classes, I think I would have been limited with a narrower view, and less rounded (though I don鈥檛 mean I am perfectly well-rounded yet), and I would not have discovered what my talents are. I couldn鈥檛 imagine my career path upon graduating from 性视界. I certainly wasn鈥檛 thinking about public relations, journalism, being an educator, nor working for a bank. But in a way they all relate; all are in communication with others and gathering and sending information.鈥�
